When the duck climbed into a 1972 Ford F-100 truck, adjusted his beaded headrest, put it in drive and sped off in to the dusk and the wake of dust and gravel spread out behind him, he could see that goose and knew what he had to do.
Over by the elm, the film crew was in place, the lighting set -- the goose knew only what the note read: come alone to the dark elm tree. The lights from the film crew helped him read the last 7 pages of a screenplay he had been working on entitled, Polemical Debates at the Conservancy, which seemed to be quite the turn of luck for him.
Upon rounding the corner, duck seemed a bit unnerved at the sight of the film crew, but his keen plan had been set into motion -- and the rented truck had to be returned by 10am the next morning.
So, with the director setting his lens upon his unknowing subject, a small Argiope, he had no idea what he what he was about to be caught up in. Certainly duck had not accounted for the filming of a nature documentary at the local elm. But as he barreled past in his F-100 truck, knocking over camera crew and director alike -- scaring the fragile Argiope back into his silken home, goose suddenly realized he had sent the box of exploding cigars to the wrong person... it was a good thing that duck couldn't hit a cow's arse with a banjo.
(Recorded 27 May 2005, with new mixes from 27 May 2005 at 9:08pm )
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